Showing posts with label Christine Chester. Show all posts
Showing posts with label Christine Chester. Show all posts

Monday, 10 August 2015

5 Fabulous Reasons I Love the Festival of Quilts

Bitter Harvest by Clare Smith
I spent Friday to Sunday at the Festival of Quilts at the NEC in Birmingham last week.  As usual it was fantastic and there was a ridiculous amount to see and do.  It was lovely to see so many of my C&G students down there and one thing I’m going to ask them to do at the next class (this is a ‘heads up’ if you reading!) is share what their highlights were as everyone finds something different which really enthuses them.  So this is my version for the 2015 Show
Portrait of a Memory by Christine Chester

1.   Amazing galleries of work by individual artists and groups
This year’s highlight was Quilt Art (unfortunately no photos allowed) as well as Christine Chester’s thought provoking pieces about dementia.  Though Our Hands also had some interesting works and unusual techniques.  I loved the piece by Clare Smith with the dye dripping through it, running where it wished.
Mahri Prince's work
2.   Student work
Okay, this one is a bit of a cheat as part of my reason for concentrating on the student work was because two of my students, Janet Lindsay and Mahri Prince, had been selected to display their work.  It was a bit like a proud parent moment seeing how well their work fitted into the show.  They are both very talented ladies (as well as being a pleasure to teach – obviously as all my students are!)
Janet and her work
3.   Friends
No photos of these (I tend to do photos of ‘things’ rather than people) but meeting up with so many lovely quilters I know is one of the main highlights of the Show.  Quilters are such a friendly and supportive group of people, so each year, my group of friends expands, which is fantastic – meeting old friends and making new ones.
Terry Donaldson - Sussex Coast
4.   Shopping
This is probably further up the list for most people, but I’m not great shopper.  However, there are always lots of tempting goodies at the Show.  This year, I justified my purchases because I need to ‘try things out’ for my students.  Well, that’s my excuse and I’m sticking to it.
Philippa Naylor's Miniature
5.   Disagreeing with the judges on the competition quilts
Yes, I know the judges have a thankless task, but it is always fun to see quilts which to my mind seem better than the winners.  A wise person once told me that as the judging has to follow a tick box format, often it is more informative to look at the judges’ choices instead, as they are the quilts the judges appreciated, but which didn’t ‘fit the boxes’.  It is also incredibly difficult as there are just so many beautiful quilts and there can only be one winner per category.
Robbie le Poidevin  - Secret Cove

So that’s it all over with for another year.  Can’t wait until next time. 

Mavis Walker - The Chess Set





Sunday, 25 August 2013

Out & About: Fine Art Quilt Masters at the Festival of Quilts

Although I said I hadn’t done any work in the holidays, it wasn’t quite true.  A few weekends ago I went to the Festival of Quilts.  After all the discussion on this blog about last year’s Best in Show, this year there was a new competition/invitational category called Fine Art Quilt Masters.  I was very keen to see it, partly to see what would be included and also excited because it should have been full of ‘my kind of artwork’ as my Dad puts it.  I wasn’t disappointed.  Yes, there was still quite a variance in standard and I may have chosen a few different ones (but of course, it depends on who puts their work forward).  The lighting was truly atrocious (hence limited photos), but the organisers were well aware of this and promised they would sort it for next year.

Dorothy Caldwell, detail of How do we know when it's night

Dorothy Caldwell, detail of How do we know when it's night
 So what about the quilts?  The winner was Dorothy Caldwell with ‘How Do We Know When It’s Night’.  Her piece (actually comprising of two hangings) was monumental, measuring approx 3m in each direction.  From a distance, personally, it was almost too much, especially given the walls weren’t really high enough and the lighting.  However, when I got close up and started photographing the details, I felt it revealed its beauty.  Personally, I would love any of the details as a complete piece.

Sandra Meech, The Last Silence
At the other end of the scale was ‘The Last Silence’ by Sandra Meech, measuring 35cm square.  It was a very different piece from the work I normally associate with Sandra, although still on the same theme.  I loved the way it was contained within the frame, setting boundaries for the work, which had to be concertina-ed to fit inside.  Again like Dorothy’s hanging, the mark-making was amazing.

Sandra Meech, detail of The Last Silence
Elizabeth Brimelow, detail of Round Meadow

Elizabeth Brimelow, detail of Round Meadow
I am obviously drawn to works which are less quilt-like as two more I liked were Elizabeth Brimelow’s ‘Round Meadow’, which snaked across a plinth in a spiral form, full of little notes and annotations and hints at larger pieces. 
 
 
 
Christine Chester, Portraits of a Memory
 
 
 
Secondly, ‘Portraits of a Memory’ by Christine Chester comprised nine panels of industrial felt pinned to the wall, with paper and voile on top carrying slightly scorched images.  The starkness of the piece was very appealing with its monochromatic colour range and it has a sobering subject matter of memory loss due to dementia.  On a frivolous note,I have to admit part of the draw for me is that industrial felt is one of my favourite fabrics to look at, even if it is something I haven’t used in my own work yet.

Christine Chester, detail of Portraits of a Memory
This is just a small selection of what was on show.  I found these pieces rather thought-provoking and very inspirational.  I hope the organisers get good feedback on this category and that they continue with it.  Also I hope as it gains momentum, more textile artists at the top of the game apply to have their work included to keep adding to this valued dimension to the Festival of Quilts.
 
Did you go to the Festival of Quilts?  If so, what did you think of this category?
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