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| Alexander Calder |
One of the highlights of our Lisbon trip was the Museu Colecção
Berardo. It is probably the Portuguese equivalent of the Saatchi Collection as
it is very large, although it concentrates on more on 20th century art rather
than contemporary.
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| Amedeo Modigliani, Tete de jeune fille a la frange |
It was interesting to see work by artists I didn't know as there
seems to be an accepted English speaking trail through the 20th century, after
starting in Paris and moving to Germany for the Bauhaus. I'm sure some of the
work would be judged as of a lesser quality, but as Mark Elder, the conductor,
was saying on Radio 4 this morning, the reception of the work at the time and
now is so subjective and because these artists did not fit into the accepted
narrative of living in the right place at the right time, that could be
sufficient to have their work dismissed.
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| Lynn Chadwick, Maquette for Teddy Boy and Girl II |
For the first part of my viewing I was accompanied by our six year
old daughter, dragging a gallery stool around, stopping and drawing the
paintings that caught her eye. Eventually she was beaten by this one and would
not be pacified by me explaining she had chosen a really difficult one (see below) that I
would struggle with too!
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| Otto Freundlich, Untitled |
She went off in disgust with her father and then I was given a
guided tour of the rest of the 1900-1960 section by our 11 year old. It was
fascinating to see what he liked - which was mainly expressive black marks on a
white canvas.
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| Emilio Vedova, Presenza N5V |
We explored the 1960+ section together, which neither of us enjoyed
as much. He kept asking 'but why is this art, mummy?', which was difficult to
answer at points. He wondered if he drew a line on a piece of paper and called
it art whether he could sell it for £1million. I said it wouldn't be art as he
wasn't an artist and what was the message or intent. He was more won over by
the argument that no one would buy it... It does get harder and harder to
explain... Any suggestions?
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| Kenneth Armitage, Standing Figure |
