Monday, 12 September 2011
Holmwood was built as a home for a paper manufacturer and it was a nice size for a house: not so big as to be unimaginable to live in it, but still lots bigger than homes today. The National Trust for Scotland is carrying out extensive research and conservation on the interior and you could see glimpses of the original decoration and patterning, all designed by Greek Thomson as well as the actual building. Unfortunately, you couldn't take photos of the interior, but these are some shots of the exterior.
The interior decoration featured lots of Greek style motifs and I'm sure we will be able to come up with some interesting ideas for the Big Draw. Personally, I found it all really inspiring and want to think about some of his designs for my own work, when I have time...!
Posted by Gillian Cooper at 15:04
Sunday, 11 September 2011
I had a really pleasant evening out at Cupar Quilters on Wednesday evening. I was there to talk about my quilting and art career and they were a lovely group. Even though it was a warm room, I didn't see anyone falling asleep - quite a feat as I know my eyes have a nasty habit of closing during talks, even when I am enjoying them and struggling hard to stay awake! They were hugely appreciative of my quilts and the little stories that accompany them. I was hugely appreciative of the group and they seem to be very active, with their exhibition coming up on 19 November and also a series of rainbow quilts which are going to be displayed at next year's Loch Lomond Quilt Show. I hope the exhibition goes well and I will be looking out for the quilts at Loch Lomond next year.
I love meeting quilt groups and I always come away energised afterwards and intending to try harder to attend a group myself. Life generally intervenes, along with the lack of baby-sitters, but who knows this time.
Posted by Gillian Cooper at 14:51
Tuesday, 6 September 2011
When I was researching the Irish Chain quilt pattern for an article for Popular Patchwork, I came across this book on google book search. It was so enticing that I had to buy it.
Quilts Around the World by Spike Gillespie truly covers the world. It has a long chapter on the States, various European countries, Asia and Africa. It tells of quilting history of each country and sometimes touches on current practice. It also has beautiful, enticing photographs and you can see the time that has been spent to create a lovely layout.
Each chapter or section is relatively short - bite-sized chunks of information. Obviously in a book that touches on so many cultures, you are not going to get huge amounts of detail. However, this makes it great for dipping into and it has filled in gaps in my knowledge of quilting in other countries.
Spike has written much of the book herself, but has also used experts from certain countries to complement her own work. For instance, Roselind Shaw has written a fascinating history of quilting in Northern Ireland.
Frustratingly, the images do not always match the text. They are gorgeous, but I would have liked to have seen more of the quilts mentioned in the text. However, I understand that sometimes she may not have been able to get permission to use certain images. And being parochial, it would have been good to have a paragraph on quilting in Scotland today, rather than just saying there isn't much quilt history here. I think even if quilting is not in our blood, there is a very active and exciting quilt scene in Scotland now, with quilters such as Frieda Oxenham and Pat Archibald and grass roots shows springing up like the Loch Lomond one.
Overall , I'm really enjoying reading this book and I'm sure I will be flicking through it for many years to come. I'd definitely recommend getting hold of a copy if you are interested in quilt history or quilts from other parts of the globe.
Posted by Gillian Cooper at 21:34
One of my samples based on Ruth's book One of my greatest pleasures in life, alongside art, is reading. Books have always played ...
One of the best bits of teaching City & Guilds Patchwork and Quilting is having to explore techniques and make samples. I suppose ...
The other weekend at the C&G class we were looking at ways of embellishing your work. As my work is generally unadorned and blin...