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Facing Time by Gillian Cooper |
How much is enough? I don't think there is any possible answer to
this as an artist. It is two weeks until
the European Patchwork Meeting and I am still creating new pieces. Originally I thought this didn't look very
professional, but now I realise that it is part of being an artist - I can always make
one more piece; I always have another fantastic new idea to try. And I'm nowhere near finished with 'Unsung
Muses' yet. So many possibilities and a deadline. The perfect conditions for me to make work!
So here is another new finished piece. I had a definite vision for this one from the
start. A few months ago, I was looking
through an old sketchbook at some drawings and one jumped out at me.
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Original drawing (after I've played with it with some image manipulation software) |
After redrawing it several times, I knew it
was perfect for development, using similar techniques to those I had used in
'Elements of Our Past'.
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Full sized drawing on the wall |
I pieced it together out of large patches
of hand dyed fabric, working tonally from a full scale drawing.
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Some of the fabric I considered |
I then used free machine stitching to add the
detail and define the shapes and to hopefully give it a sort of sketchy
feel. I wanted the face to look human,
but not too human and not to be over-defined, as it is coming from long ago.
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In progress |
Some of these fabrics were dyed seven years
ago. It is was good to use them and I really like the soft colour palette I achieved
then. I'm racking my brain to work out
what dye shades I used so I can make some more of them, but as I didn't dye
them at home it won't be straightforward. As I'm teaching dyeing to my C&G
Certificate group this weekend, I may have a bash at it.
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Detail of 'Facing Time' by Gillian Cooper |
That's another of the new pieces. I have four or five others at various stages
of completion and another three or four in my brain. Given I have eight days until we leave, and miracles
are rare events, even in my most optimistic state, I don't think they will all
be finished. It's not like I actually
need them - I already have sufficient work, but the joy of being an artist is I
can always do more...
6 comments:
I love the direction this one is taking you! wise use of cropping.
Sandy in Bracknell
Thanks Sandy. It sometimes feels a bit vicious to remove so much, but I think it does improve the work too. I really want to try more like this, but it may have to wait a few weeks/months!
This month's Master Class theme is "Lost Edges"...and I see some in that wonderful face. I'll be sharing the link with my class-mates...you may get some more blog attention!
Thanks Margaret! All readers are gratefully welcomed. Lost edges sounds a fascinating theme,
I do like this piece. I'm also glad that you are still finding so much mileage in the Unsung Muses.
Thanks Maggi. I'm pleased you like it. It is a bit different to the others. Unsung Muses just isn't ready to let me go yet, although I do have some pieces based on leaves floating around my head too...
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